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Coloration — and why you want it
The most coveted vintage consoles and outboard gear weren’t transparent. And that’s the point behind the Warm Audio WA12. Coloration is, in many cases, desirable. If your mixes sound unprofessional, lacking in vibrance and depth, you’ll adore the WA12-500 MKII. Subjective listening tests played a big part in the development of this amazing 500 Series preamp. Test equipment can tell you only so much, and there’s a point in the design process where you just have to let your ears call the shots. You wouldn’t mix with earplugs and an oscilloscope, would you?
Impedance switching gives you versatility
Warm Audio equipped the WA12-500 MKII with a secret weapon: a Tone button that switches the input impedance from 600 to 150 ohms. Pushing this button changes the tone of both the mic and hi-Z inputs, letting you individually optimize for each of your microphones and giving you a measure of sonic versatility without having to resort to EQ. And speaking of mics, with 71dB of gain, the WA12-500 MKII has enough on tap to handle your favorite ribbon mics.
Top-tier performance — and amazing value
At Sweetwater, we understand that outfitting your studio is a balancing act between performance and value. Warm Audio gets that, too, and their WA12-500 MKII delivers on both counts. In spite of its ultra-reasonable pricing, Warm Audio gear is made using only the finest components, like genuine Cinemag input and output transformers. Look at it this way: at this price, you can pack your rack with two or more WA12-500 MKII preamps — an easy decision if you record live drums or more than one track at a time.
Warm Audio WA12-500 MKII Series Mic/Instrument Preamp Features:
A robust 71dB of gain powers all your mics — even ribbons
2 Mohms true hi-Z input on front panel — great for guitars, bass, keyboards
High voltage 1731-style operational amplifier
Tone button gives you tonal versatility by switching input impedance from 600 to 150 ohms
Fully discrete design
48-volt phantom power; 20dB pad
Mic level balanced input: XLR or 1/4″ TRS
Balanced outputs: XLR and 1/4″ TRS
Custom-designed Cinemag input and output transformers
Output attenuation control drives preamp and transformers into colorful saturation
LED Meter gain indication
20dB pad
Tech Specs
Preamp Type:Solid State Preamp
Number of Channels:1
Phantom Power:Yes
Analog Inputs:1 x 1/4″ (Hi-Z switchable)
Features:-20dB pad, transformer tone switch, polarity switch
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